Lucinda Holmes' practice explores drawing and diagrammatic forms through an economy of means. Working with pencil, watercolour, gouache, and collaged elements on paper, she creates abstract compositions that oscillate between the systematic and the intuitive. Holmes' drawings function as both visual investigations and conceptual diagrams, where minimalist gestures accumulate into complex fields of meaning. The work embraces deliberate restraint, allowing subtle material qualities and surface textures to carry expressive weight. These abstract configurations possess a quietly surreal quality, suggesting fragmented maps, molecular structures, or archaeological traces. Through this visual language, Holmes captures something between representation and pure form—a space where the familiar becomes strange and the systematic reveals its own poetry.